Conflict in stories is like the spicy seasoning that adds flavour to a dish. It keeps us glued to our seats, wondering what’s around the next corner.

Story conflict is not a simple battle between good and evil; it's the very pulse of the narrative, the unique element that keeps us hooked.

Story conflict is not your typical narrative tool; it's a mental workout that enhances our cognitive abilities. By immersing ourselves in it, we don't just exercise our critical thinking, problem-solving, and decision-making skills; we elevate them. It’s like a mental gym session with a thrilling twist.

Middle-grade fantasy stories are the home of the most imaginative and relatable protagonists, from brave warriors to ordinary children discovering hidden powers.

The latter group is featured in Those Vikings and Those Giants. I like to describe them as ordinary children doing extraordinary things. Of course, I’m not the first writer to take that approach, nor am I the last.

I believe my stories are magical. Do they contain magic? They do, but there’s a difference between magical and magic. Something magical takes you places. It might be a song, a poem or the touch of a friendly hand. Magical evokes emotions.

Reading is more than just a way to pass the time; it plays a vital role in a child's development. Reading sparks imagination and creativity, allowing children to explore new worlds and experiences from the comfort of their own minds.

I write for middle-grade readers. Find out why.

Watch a child construct an art piece. Listen to a child invent dialogue between two action figures. They are using their superpower–imagination.